CAST MEMBER OF BROADWAY’S “THE KING AND I” DEFENDS CHILD WHO DISRUPTED PERFORMANCE AND INSPIRED AUDIENCE JEERS: “I AM ANGRY AND SAD”
It was a matinee showing of the Broadway play “The King and I” and the excited audience members took their seats. One mother that was attending, however, decided to bring her autistic son with her and hoped that he wouldn’t be a distraction to the other members of the audience.
When the play started, however, things. didn’t go as expected. The mother’s son started making a fuss and members of the audience became frustrated. How the crowd reacted, however, shocked Kelvin Loh, one of the actors in the Broadway play. After the play was over, Kelvin went on Facebook in order to collect his thoughts. His powerful words have now gone viral on the Internet.
“I am angry and sad. Just got off stage from today’s matinee and yes, something happened. Someone brought their autistic child to the theater.
That being said – this post won’t go the way you think it will.
You think I will admonish that mother for bringing a child who yelped during a quiet moment in the show. You think I will herald an audience that yelled at this mother for bringing their child to the theater. You think that I will have sympathy for my own company whose performances were disturbed from a foreign sound coming from in front of them.
Instead, I ask you- when did we as theater people, performers and audience members become so concerned with our own experience that we lose compassion for others?
The theater to me has always been a way to examine/dissect the human experience and present it back to ourselves. Today, something very real was happening in the seats and, yes, it interrupted the fantasy that was supposed to be this matinee but ultimately theater is created to bring people together, not just for entertainment, but to enhance our lives when we walk out the door again.
It so happened that during “the whipping scene”, a rather intense moment in the second act, a child was heard yelping in the audience. It sounded like terror. Not more than one week earlier, during the same scene, a young girl in the front row- seemingly not autistic screamed and cried loudly and no one said anything then. How is this any different?
His voice pierced the theater. The audience started to rally against the mother and her child to be removed. I heard murmurs of “why would you bring a child like that to the theater?” This is wrong. Plainly wrong.
Because what you didn’t see was a mother desperately trying to do just that. But her son was not compliant. What they didn’t see was a mother desperately pleading with her child as he gripped the railing refusing- yelping more out of defiance. I could not look away. I wanted to scream and stop the show and say- “EVERYONE RELAX. SHE IS TRYING. CAN YOU NOT SEE THAT SHE IS TRYING???!!!!” I will gladly do the entire performance over again. Refund any ticket because for her to bring her child to the theater is brave. You don’t know what her life is like. Perhaps, they have great days where he can sit still and not make much noise because this is a rare occurrence. Perhaps she chooses to no longer live in fear, and refuses to compromise the experience of her child. Maybe she scouted the aisle seat for a very popular show in case such an episode would occur. She paid the same price to see the show as you did for her family. Her plan, as was yours, was to have an enjoyable afternoon at the theater and slowly her worst fears came true.
I leave you with this- Shows that have special performances for autistic audiences should be commended for their efforts to make theater inclusive for all audiences. I believe like Joseph Papp that theater is created for all people. I stand by that and also for once, I am in a show that is completely FAMILY FRIENDLY. The King and I on Broadway is just that- FAMILY FRIENDLY- and that means entire families- with disabilities or not. Not only for special performances but for all performances. A night at the theater is special on any night you get to go.
And no, I don’t care how much you spent on the tickets.”
This piece came to us courtesy of The Metro Clinician Newsletter of Boston, May 2016 Edition
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